Cadbury's Dairy Milk Advert of a Gorilla emotionally drumming to Phil Collins song "In The Air Tonight"
On 31st August 2007 Cadbury unveiled a £6.2m campaign for Dairy Milk featuring a gorilla playing the drum solo of Phil Collins' track 'In the Air Tonight'. The 90-second film was written and directed by Sony Bravia 'balls' creative director Juan Cabral of Fallon London.
Friday, 17 July 2009
Sunday, 12 July 2009
The Mighty Boosh
Vince and Howard are interrupted in the Nabootique by their dopplegangers. Will they be unnerved by their disparaging words? A brilliant song from The Mighty Boosh, starring Noel Fielding and Julian Barratt.
Thursday, 9 July 2009
Working with Frederic Jameson's categories ("Postmodernism and Consumer Society")
(1) "the transformation of reality into images" (cf. Debord and Baudrillard)
(2) "the fragmentation of time into a series of perpetual presents"
"the erosion of the older distinction between high culture and so-called mass or popular culture" (Jameson).
Pastiche and parody of multiple styles: old forms of "content" become mere "styles"
stylistic masks, image styles, without present content: the meaning is in the mimicry
"in a world in which stylistic innovation is no longer possible, all that is left is to imitate dead styles, to speak through the masks and with the voices of the styles in the imaginary museum" (Jameson).
No individualism or individual style, voice, expressive identity. All signifiers circulate and recirculate prior and existing images and styles.
The postmodern in advertising: attempts to provide illusions of individualism (ads for jeans, cars, etc.) through images that define possible subject positions or create desired positions (being the one who's cool, hip, sexy, desirable, sophisticated...).
"our advertising...is fed by postmodernism in all the arts and is inconceivable without it" (Jameson)
[Understood by Warhol, Rauschenberg, Lichtenstein, Kruger, Ruscha]
Po-Mo as late capitalism: transnational capitalism without borders, only networks and info flows.
Some features of postmodern styles:
Nostalgia and retro styles, recycling earlier genres and styles in new contexts (film/TV genres, images, typography, colors, clothing and hair styles, advertising images)
"History" represented through nostalgic images of pop culture, fantasies of the past. History has become one of the styles; historical representations blend with nostalgia.
"the disappearance of a sense of history, the way in which our entire contemporary social system has little by little begun to lose its capacity to retain its own past, has begun to live in a perpetual present and in a perpetual change that obliterates traditions of the kind which all earlier social formations have had in one way or another to preserve... The information function of the media would thus be to help us to forget, to serve as the very agents and mechanisms of our historical amnesia" (Jameson).
Jameson's own nostalgia? Did this ever exist?
Culture on Fast Forward: Time and history replaced by speed, futureness, accelerated obsolescence.
Critique: note the image of the past and origins presupposed in the view of history and the postmodern, the sense of Hegelian trajectories with no possible future in view to be argued for.
Martin Irvine
www9.georgetown.edu/faculty/irvinem/theory/pomo
(2) "the fragmentation of time into a series of perpetual presents"
"the erosion of the older distinction between high culture and so-called mass or popular culture" (Jameson).
Pastiche and parody of multiple styles: old forms of "content" become mere "styles"
stylistic masks, image styles, without present content: the meaning is in the mimicry
"in a world in which stylistic innovation is no longer possible, all that is left is to imitate dead styles, to speak through the masks and with the voices of the styles in the imaginary museum" (Jameson).
No individualism or individual style, voice, expressive identity. All signifiers circulate and recirculate prior and existing images and styles.
The postmodern in advertising: attempts to provide illusions of individualism (ads for jeans, cars, etc.) through images that define possible subject positions or create desired positions (being the one who's cool, hip, sexy, desirable, sophisticated...).
"our advertising...is fed by postmodernism in all the arts and is inconceivable without it" (Jameson)
[Understood by Warhol, Rauschenberg, Lichtenstein, Kruger, Ruscha]
Po-Mo as late capitalism: transnational capitalism without borders, only networks and info flows.
Some features of postmodern styles:
Nostalgia and retro styles, recycling earlier genres and styles in new contexts (film/TV genres, images, typography, colors, clothing and hair styles, advertising images)
"History" represented through nostalgic images of pop culture, fantasies of the past. History has become one of the styles; historical representations blend with nostalgia.
"the disappearance of a sense of history, the way in which our entire contemporary social system has little by little begun to lose its capacity to retain its own past, has begun to live in a perpetual present and in a perpetual change that obliterates traditions of the kind which all earlier social formations have had in one way or another to preserve... The information function of the media would thus be to help us to forget, to serve as the very agents and mechanisms of our historical amnesia" (Jameson).
Jameson's own nostalgia? Did this ever exist?
Culture on Fast Forward: Time and history replaced by speed, futureness, accelerated obsolescence.
Critique: note the image of the past and origins presupposed in the view of history and the postmodern, the sense of Hegelian trajectories with no possible future in view to be argued for.
Martin Irvine
www9.georgetown.edu/faculty/irvinem/theory/pomo
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